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The Secrets to a Millionaire's Success

There's no real practical reason to ask "who wants to be a millionaire?" because the only people who won't put their hand up are religious types who've taken vows of poverty and those who are already multi-millionaires. Unfortunately, there's a big gulf between those who want it and those who do the things to make it happen.

Based on recent statistics on UK household income, millionaire-dom is not something that's going to happen for most people, even with the dubious benefits of inflation. An adult earning the median level of income (£26,200 a year in 2011) and saving an impressive 20% of that would need almost 200 years to save £1 million (excluding taxes and investment gains). It's pretty clear, then, that a would-be millionaire has to think outside the boundaries of "median" experience.

Start a business

There are certainly people who can become millionaires by working for other people, but this is not an especially good route to choose. The trouble with trying to become a millionaire by working for other people is that there are always other people siphoning off the value of whatever you produce. Say you're a hotshot salesman – although you're going to get your cut, a lot of the value you create is going to get split among a broader pool of workers, managers and the owner(s) of the business.

Start your own business, though, and you get to decide how to divide that pie. Better still, your ownership stake can become more and more valuable over time as that business becomes larger and larger. While a good employee may get raises and promotions as his or her employer grows, they'll never see the same benefits (including the appreciation in the value of the ownership interest) as the owners.

Use other people's money

One of the remarkably consistent features of stories about people who go from relatively no wealth to major wealth is the role of other people's money in making it happen. Sometimes it's start-up capital from a generous relative, or maybe it's a small business loan or venture capital.

Borrowed money can be a major force multiplier. Behind virtually every property empire is borrowed money and the use of leverage in investing (whether through buying stocks on margin, buying options or buying futures) can rapidly magnify a skilful investor's success. Of course, this cuts both ways – just as borrowed money can create a large business (or portfolio) quickly, just one mistake in an over-leveraged enterprise can bring the whole thing crashing down.

It comes down, then, to risk tolerance. Those who really want to build large wealth (and do so quickly) through business or investment will have to do so in part with other people's money.

Cultivate a valued skill

Wages respond to supply and demand just like everything else, so it is very important to cultivate a skill that is not only in demand, but scarce enough to be valuable. Architecture and law, for instance, are both specialised skills, but not necessarily rare enough to make their practitioners wealthy unless they are at the high end of their profession.

Sports is an obvious example, but most people know in their teens whether they have the rare physical gifts (and perhaps the even rarer mental discipline and dedication) to open the doors to a professional sports career, and it's not really a door that can be opened in college or later. Medicine and engineering, though, are both open to college-aged people who have the requisite abilities and the willingness to put in the effort. The services of these professionals are not only almost always in demand, but the supply is small enough that professionals here can fairly expect to become millionaires on the basis of their labours.

This is also true for unconventional skills as well. Pursuing a career as a writer, actor or professional gambler is a virtual guarantee of poverty for most people. For those who actually have the skills necessary to succeed, though, it can be their best chance of building real wealth.

Out-think or out-hustle

Lazy and self-made millionaire just don't go together. Going back to that supply-demand equation, anything that's relatively easy, convenient and accessible is going to have ample supply and relatively low payouts. Since most people don't actually want to work that hard, though, there are real wealth-creation opportunities out there for those willing to think and/or work just a little harder than average.

One option for building exceptional wealth is to out-think the majority of people out there. While pursuits like writing, investing and inventing all involve a tremendous amount of effort and dedication, there is at least some aspect of out-thinking to them all. Steve Jobs of Apple, Richard Branson of Virgin and Lord Alan Sugar all clearly worked hard to achieve success, but a lot of that success was predicated on seeing things that others didn't see and figuring out how to do them even better.

Out-hustling is an undervalued aspect of wealth creation. Success in business is often about the hustle – the willingness to make one more call or work an extra hour later. The field of "hustle" is wide, rich and fertile. You can make good money visiting auctions and reselling undervalued items, just as you can make good money from a variety of multi-level marketing programs. The question is whether you want to spend the hours it takes to drive the process forward.

Rental property is a good example. It is actually not all that difficult to find rental properties, buy them and rent them out. Do this well and it's fairly easy to earn an annual return of 8-15%. The problem is that there are a myriad of small annoyances that go with it – hassles in haggling over the purchase price, hassles in getting mortgages, hassles in getting tenants, hassles in dealing with tenants and so on. Some people just don't want to be bothered with this, but those who don't mind the annoyances can reap the rewards.

The bottom line

Having £1 million or more in net worth is still uncommon enough to be special and significant, and it doesn't often come as a by-product of luck or chance. Hard work is a virtual requisite, but so too is a willingness to take on some risk (such as starting a business or using leverage) or cultivate a rare gift (like writing or inventing). Although simple living and sound investing will help anyone build more wealth, a special level of success requires a special person who is willing to do more and risk more than most people.


How to Eliminate Signs Of Aging

Short of finding the mythical fountain of youth, we know there's nothing we can do to stop aging. As you get older, more signs of wear and tear will appear on your skin. And it will likely start by the time you hit the big 3-0.

But just because we know we'll eventually grow old doesn't mean we shouldn't take care of ourselves. Who says we can't meet the inevitable—in this case, aging—without beauty and grace?

Here are five of the first signs of aging and how to minimize their blow:

Crow's feet.

These lines, believe it or not, come from the muscles we use to close our eyes. "Imagine when you shut your eyes close while avoiding watching a scary scene versus just softly blinking or opening your eyes. The former causes lateral folds in the corner of the eyes to appear," says dermatologist Dr. Nicole Yu. "When we age, these folds become more permanent because our skin loses its elasticity."

Sun worshippers will experience the onset of crow's feet earlier than those who stay in the shade, as the sun's harmful UV rays breaks down the elasticity of our skin. Plus, you tend to squint more when you're exposed to bright sunlight. Prevent having too-pronounced lines by applying sunscreen with an SPF of no lower than 15. Invest in a good pair of sunglasses that keep off UV rays.

Sagging skin.

- on your chin, jawline, neck, etc. You will reach a point in your life when you'll notice that everything in your body seems to be giving into the laws of gravity. Thanks to the skin losing its support system (that being collagen and elastin), what used to be tight and supple becomes soft and plump. "Chins become jowls, the square jawlines become flabby, and the corners of our mouth become droopy," says Dr. Yu. Radical weight loss over a short period of time can also cause sagging skin, because you're not giving your skin enough time to catch up.

Try to defy gravity a little bit longer by eating a balanced diet. One of the things that break down elastin and collagen in the skin are free radicals. So reach for food high in antioxidants, like mangoes and green, leafy vegetables, to fight off free radicals in the body. Steer clear of drastic diets if you're trying to lose weight. You won't be getting the proper nutrients, and your dramatic weight loss can result in saggy skin.

Fine lines and wrinkles.

Remember when your mother told you when you were younger to stop making funny faces lest your face stays that way? She may have had a point. While fine lines and wrinkles may be caused by internal factors (such as your body naturally aging, the inevitable breaking down of collagen and elastin in the body, and your genetic make-up), it can also be caused by external factors. That being sun exposure, pollution, and—who knew?—the many facial expressions you make. "With repetitive actions of our facial muscles and these factors, fine lines and wrinkles appear," says Dr. Yu.

Since you can't change your genetic make-up, your best bet to delay the onset of wrinkles is by doing something about the external factors. Apply a good sunblock every day or a moisturizer with SPF, even if it's rainy or cloudy outside—the sun's rays can still stream through the clouds. Avoid going out in the sun between 11 in the morning to one in the afternoon, when the sun's UV rays are at its harshest. Plus, smile! "It's better to have smile lines than frown lines!" says Dr. Yu.

Dry, dull skin.

Apparently, it's not only your skin's collagen and elastin production that slows down. We also lose sweat and oil glands, which produce natural moisturizers for the skin. "People usually notice that their lower legs, elbows, and forearms dry out first," says Dr. Yu. Another culprit for dry skin would be the hormone estrogen. Estrogen levels drop as you age, which causes skin to become more fragile. And that rosy glow you're missing? You can thank the decrease in number of blood vessels in the skin.

Keep your skin dryness to a minimum by taking your soap usage down a notch. (Reach out for a moisturizing beauty bar instead). Keep a bottle of hand lotion on your desk, so you can moisturize right after washing your hands. Avoid hot baths and take tepid showers instead—hot water can seriously dry out the skin. And don't forget to moisturize! The best time to hydrate your skin is after bathing. Pat yourself dry with a towel, then slather on lotion or oil. This helps keep in the moisture from your shower.

Spider Veins.

They're those icky, enlarged veins that seem to be "creeping" along the skin's surface. And weak veins that can't seem to carry blood back to the heart cause them. "These veins have valves that act as a one-way flap to prevent the backward motion of the blood as the blood goes toward the heart," Dr. Yu explains. "When the valves become weak, it causes the backflow and pooling of blood in the veins, which makes the veins bigger." The bad news is, these valves weaken as we grow older. Other factors that can cause spider veins are obesity and pregnancy, since both add extra pressure on our veins.

There's a way to prevent getting a lot of these creepers, though. Avoid standing or sitting for long periods of time, since this causes your veins to work harder in pumping blood towards your heart. You can also do calf exercises. "Our calves help in circulating blood in our legs, so contracting these muscles will help in circulation," says Dr. Yu. Another way to keep spider veins at bay is to elevate your legs a few minutes everyday to help the blood flow back to your heart.

- By Maui V. Reyes, Yahoo! Southeast Asia

‘Ghost Rider: Spirit of Vengeance’ Features Latest CG Visual FX Stun

‘Ghost Rider: Spirit of Vengeance’ Features Latest CG Visual FX Stun


Though the directors’ focus for Warner Bros.’ “Ghost Rider Spirit of Vengeance” was to capture as much of the action in camera as possible, it was clear from the beginning that the film would have to employ CG effects as well. After all, the title character has a flaming skull.

In the film, Johnny Blaze (Nicolas Cage) — still struggling with his curse as the devil’s bounty hunter – is hiding out in a remote part of Eastern Europe when he is recruited by a secret sect of the church to save a young boy from the devil. At first, Johnny is reluctant to embrace the power of the Ghost Rider, but it is the only way to protect the boy – and possibly rid himself of his curse forever.

Overseeing the VFX is Visual Effects Supervisor Eric Durst, who says, like all of the departments, the new Ghost Rider film would have a very different look from its predecessor. “[Directors] Mark Neveldine and Brian Taylor really wanted a new look for `Ghost Rider: Spirit of Vengeance.’ It’s a darker film, so we created a look that integrated with that. The look of the character isn’t stylized at all – it is as if Ghost Rider really existed, really had a flaming head. The skull is dark and charred – just as it would be if you really had a skull that was on fire. Another touch like that is the shoulders of the jacket – they would be bubbling up from the heat inside the body.”


The primary challenge in creating the VFX, says Durst, is that the character is “interactive. The light that comes off the flames on his head – it interacts with his shoulders and anything else nearby. But interactive light is very difficult to recreate in the computer. It’s so subtle, and it interacts in different ways with different fabrics and objects. So to achieve that, we took a hood with LED lights on it that flickered on and off. That had two great benefits for us: first, the LED lights served as tracking markers in the computer, so when Nick moved his head from left to right, we could make the skull match those movements. But the LEDs also cast a light on anything that was in proximity, so it would give us the light that would occur if the flame really was on his head.”

Durst also notes that since the release of the first “Ghost Rider” film, there have been tremendous advances in CG animation. “The foundation of getting flames in CG is fluid dynamics, and so much has happened technologically in just the last five or six years,” he says. “For the original film, Sony Pictures Imageworks created their own code and worked within the software systems that existed at the time. It was very labor intensive. For the new film, with six years’ worth of development of the technology in the field, we had a big head start. You can make things look stunningly real now.”

The effects were completed by Iloura, an Australian company. “We canvassed the world to see who had the best fire,” says Durst. “Their first test had everything – the right, dark look for the skull, the flames, the right vibe. Everyone fell in love with it right there, and Iloura did a great job on the movie.”


Opening across the Philippines on Friday, February 17, “Ghost Rider: Spirit of Vengeance” is distributed by Warner Bros. Pictures, a Warner Bros. Entertainment Company.

‘John Carter’ – An Epic, Action-Adventure Set on Mars

‘John Carter’ – An Epic, Action-Adventure Set on Mars


Walt Disney Pictures presents the 3D epic, action‐adventure “John Carter,” based on the Edgar Rice Burroughs classic, “A Princess of Mars,” the first novel in Burroughs’ Barsoom series.

Directed by Academy Award®–winning filmmaker Andrew Stanton, “John Carter” is set on the mysterious and exotic planet of Barsoom (Mars). The film tells the story of war‐weary, former military captain John Carter (Taylor Kitsch), who is inexplicably transported to Mars where he becomes reluctantly embroiled in a conflict of epic proportions amongst the inhabitants of the planet, including Tars Tarkas (Willem Dafoe) and the captivating Princess Dejah Thoris (Lynn Collins). In a world on the brink of collapse, Carter rediscovers his humanity when he realizes that the survival of Barsoom and its people rests in his hands.

2012 marks the 100th anniversary of Burroughs’ character John Carter, the original space hero featured in the series, who has thrilled generations with his adventures on Mars.

Over generations, John Carter has become a heroic paradigm across all forms of pop culture. From novels to comic books, artwork to animation, TV and now cinema, the character has inspired some of the most creative minds of the last century.

A fan of the Barsoom series of books since childhood, director/writer Andrew Stanton explains what inspired him to bring “John Carter” to the big screen in his first foray into live action: “I stumbled across these books at the perfect age, I was about ten, and I just fell in love with the concept of a human finding himself on Mars, among amazing creatures in a strange new world. A stranger in a strange land. It was a very romantic aspect of adventure and science fiction. I always thought it would be cool to see this realized on the big screen.

“‘John Carter’ is a big epic adventure with romance and action and political intrigue,” continues Stanton. “Because the subject matter was written so long ago, it was also a bit of an origin of those kinds of stories—a comic book before there were comic books, an adventure story before that became a genre of its own.”

Andrew Stanton directed and co‐wrote the screenplay for Disney/Pixar’s “WALL‐E,” which earned the Academy Award® and Golden Globe® for Best Animated Feature (2008). Stanton was nominated for an Oscar® for the screenplay. He made his directorial debut with Disney/Pixar’s “Finding Nemo,” garnering an Academy Award–nomination for Best Original Screenplay and winning the Oscar for Best Animated Feature (2003). Stanton has worked as a screenwriter and/or executive producer on Disney/Pixar’s “Toy Story,” “A Bug’s Life” (which he also co‐directed), “Toy Story 2,” “Monsters, Inc.,” “Ratatouille” and “Up.”

Willem Dafoe, who plays Tars Tarkas in the film, comments on working with Stanton, “I worked with Andrew on ‘Finding Nemo.’ And even though you’re doing a voice, he’s incredibly well researched and knows every shot, every process—he’s an incredible multitasker. So when he told me about this project and how it was going to be approached, I was very excited. Because he’s the kind of guy that can handle that. Without any cynicism about the process. He loves this stuff. He loves the story.”

The stellar ensemble cast is led by Taylor Kitsch (NBC’S “Friday Night Lights”, “X‐Men Origins: Wolverine”) in the title role, Lynn Collins (“X‐Men Origins: Wolverine”) as the warrior princess Dejah Thoris and Oscar® nominee Willem Dafoe (“Spider‐Man”) as Martian inhabitant Tars Tarkas.

The cast also includes Thomas Haden Church (“Spider‐Man 3”), Polly Walker (“Clash of the Titans”), Samantha Morton (“Elizabeth: The Golden Age”), Mark Strong (“Sherlock Holmes”), Ciaran Hinds (“There Will Be Blood”), Dominic West (“300”), James Purefoy (“Resident Evil”) and Bryan Cranston (“Breaking Bad”). Daryl Sabara (Disney’s “A Christmas Carol,” “Spy Kids”) takes the role of John Carter’s teenaged nephew, Edgar Rice Burroughs.


Opening across the Philippines in March 2012, “John Carter” is distributed by Walt Disney Studios Motion Pictures International through Columbia Pictures.

John Carter - Trailer:



Al Pacino Pokes Fun at Himself in “Jack and Jill”

Al Pacino Pokes Fun at Himself in “Jack and Jill”


Legendary actor Al Pacino parodies his screen persona as he plays a bigger-than-life version of himself in Columbia Pictures' new, rambunctious comedy “Jack and Jill.”

In the film, advertising executive Jack (Adam Sandler) was living an almost perfect life, with the exception of one, annoying constant – his twin sister Jill (also played by Sandler). Every year he has to tolerate a Thanksgiving visit from his smothering sister, who doesn’t take long to turn his life upside down. When she won’t leave, Jack tries to help her find a guy – a guy who he hopes will get her out of his house.

Of course, nothing goes as planned. Instead of a date, Jill gets an impossibly unlikely suitor. In the story, Jack needs Al Pacino to agree to do a commercial – and if he can’t get Pacino, Dunkin Donuts will take their business elsewhere. Just as he’s wondering what he’s going to do, who should fall for Jill but the Oscar®-winning actor himself? Just one catch – in the movie, the character of Pacino is suffering from a nervous breakdown.

For the role of Al Pacino, the filmmakers decided to get Al Pacino. “Al Pacino isn’t really playing himself – he’s playing an obsessive actor who has gone a bit off the deep end and is losing his marbles,” says screenwriter Steve Koren. “So, when he falls for Jill, he goes overboard. He’s willing to go to any length to get the girl. The trouble is, Jill’s just not all that into him. She knows more about ‘American Idol’ than she does about Al Pacino.”

Pacino plays the character in a way that is very different from the man he is in real life. “He’s an actor who’s losing control,” says Pacino. “He has had an overload of work and it’s starting to take hold of him and affect his mental capacity. He’s clearly in the middle of a breakdown. That’s the track I’ve taken in order to play myself as somebody else – it’s all heightened and exaggerated as to make it believable in a comedy. However, I tried to keep it real so that the madness is real.”

In the movie, the character of Pacino is starting to lose his grip on reality. He has been mulling an offer to play Don Quixote in “Man of La Mancha” on Broadway – and when he meets Jill, he endows himself and Jill with characteristics of the characters. “In ‘Man of La Mancha,’ Don Quixote is a madman who believes himself to be a knight, and he believes Dulcinea to be a princess, even though she’s an ugly peasant. He falls madly in love with her by endowing her with virtues she doesn’t really possess,” Pacino explains. “When my character meets Jill, he does the same thing. She becomes his Dulcinea. In a sense, my character unconsciously uses her as a tool to find out if he indeed wants to play the part of Don Quixote. He gives Jill all the traits of the character Dulcinea so he can rehearse it, try it out, and see if it fits. He doesn’t even know he’s doing it, but there’s method in his madness.”

In addition, Jill represents something that the character of Pacino feels he has lost. “Our character of Pacino is at a crossroads,” says director Dennis Dugan. “He’s kind of lost in Los Angeles. The thing that’s missing in life is who he used to be – a sense of home and roots. Suddenly, here’s a woman who comes to him at the height of his fame and reminds him of who he used to be. He needs to go back to his home, and he thinks Jill is his ticket.”

“I love the idea of playing an older movie star, clinging, trying to get back to what it was that made him do this thing in the first place,” Pacino continues. “My character is a guy who just wants to go back home, wants to be simple again, but will never be able to be that way again. And no matter how crazy he is, his instincts are still working as an actor – if he engages her in the same way Don Quixote engages Dulcinea, he can find out if he can really play the part in ‘Man of La Mancha.’ It’s subtle and unusual, but this is the actor’s journey out of madness.”

Dugan says that working with Pacino was, of course, a completely unique experience. “I didn’t know what to expect – he’s obviously a serious actor – but he embraced the insanity,” says Dugan. “He played his version of Pacino in a truly brilliant way. He’s a genuinely nice guy and he had a terrific attitude about the whole thing.”

Naturally, the real Pacino provided exactly what you’d expect: a tremendous actor, having the time of his life. “Al was at the top of his game – Adam would throw something at him, and Al would catch it and fire it right back,” says Dugan. “He embraced the way we work, which I think is different from the way most sets work. But Al was never thrown off by any of it – he stood in there and hit it as hard as he could.”


Opening soon across the Philippines, “Jack and Jill” is distributed by Columbia Pictures, local office of Sony Pictures Releasing International. Visit http://www.columbiapictures.com.ph for trailers, exclusive content and free downloads. Like us at www.Facebook.com/ColumbiaPicturesPH and join our fan contests.

'The Descendants' Sneak Previews on February 6 and 7 in Metro Manila

'The Descendants' Sneak Previews on February 6 and 7 in Metro Manila


This year’s Oscar frontrunner for Best Picture (Drama), Best Director (Alexander Payne), Best Actor (George Clooney) , Best Editing and Best Adapted Screenplay - “The Descendants,” is set to have its sneak previews on February 6, Monday, and February 7, Tuesday, in Metro Manila cinemas.

“The Descendants” is based on Kaui Hart Hemmings’ acclaimed debut novel of the same title depicting a portrait of a man grappling with some of the worst news, most difficult people, and most impossible decisions of his life.

Matt King (portrayed by George Clooney) is not the man he would like to be. His mischievous daughters don’t trust him, his imperiled wife has been cheating on him and his broke cousins see him and the land trust he controls as a piggy bank. To add insult to injury, he’s surrounded by a lush, fertile, awe-inspiring landscape that defies his inner turmoil. Yet all of this leads Matt to a tumultuous awakening that might be awkward, comical and sometimes absurd, but nevertheless changes his concept of love, fatherhood and what it truly takes to be a man.

“The Descendants” has recently scored major awards including Best Actor (George Clooney) in Critics’ Choice Movie Awards, Golden Globes, National Board of Reviews; Best Supporting Actress (Shailene Woodley) in Denver Film Critics Society, National Board of Reviews and Florida Film Critics; Best Film in Florida Film Critics, Los Angeles Critics Association and Satellite Awards; and Best Adapted Screenplay in Denver Film Critics Society, Florida Film Critics, National Board of Reviews, New York Film Critics Online and Satellite Awards.



“The Descendants” will have its regular run in Philippine cinemas on February 15 from 20th Century Fox to be distributed by Warner Bros.

Meet Scott Speedman, the Other Man in ‘The Vow’

Scott Speedman, the Other Man in ‘The Vow’


Finding huge box-office success with such blockbusters as “Underworld” and “Underworld: Evolution” where he originated the central character of the hybrid Vampire/Lycan Michael Corvinus, Scott Speedman now explores his romantic side in Columbia Pictures’ endearing love story, “The Vow.”

He joins an impressive ensemble led by Channing Tatum, Rachel McAdams, Jessica Lange and Sam Neill.

“The Vow” is the real-life story of a young couple who were struck by tragedy shortly after their wedding. A car crash puts the wife (McAdams) in a coma, where she is cared for by her devoted husband (Tatum). When she comes to, without any memory of her husband or their marriage, the husband must woo her and ultimately win her heart once again.

Paige has reverted mentally to the young law student she was five years earlier, before she met Leo and became an artist. In seemingly an instant, she is no longer the wife Leo knew, and on top of that, she no longer recognizes her current life. Making matters worse, Paige thinks she’s still engaged to charming businessman Jeremy (Speedman), who still wants her, and remains reluctant to embrace Leo, with his less conventional lifestyle making music, as anyone she might have ever loved.

As for the role of Jeremy, it was important to cast an actor who had the charisma to be a formidable foe for Leo and someone that the audience would believe Paige had loved, and may still love. Jeremy shows the other path that Paige could have taken and could choose again. Scott Speedman was cast in this role and did not disappoint.

“The great thing about Scott is that he plays a leading man,” explains director Michael Sucsy. “A lot of times with Hollywood casting, you’ve got the big movie star in one role, and then some supporting guy in the other role. Well, guess who she’s going to end up with? It telegraphs it. So the great thing about casting Scott is that it really puts into question who she’s going to end up with. He has to be a contender, and I love that about Scott and his performance.”

An added bonus was that Scott and Rachel had worked together previously and therefore evoked a natural chemistry on set. “Scott really nailed the role. We’re lucky to have had him,” adds McAdams.

Scott Speedman most recently starred in “Barney’s Version” opposite Paul Giamatti and Dustin Hoffman for director Richard Lewis, “Good Neighbours” opposite Jay Baruchel for director Jacob Tierney and “Adoration” for director Atom Egoyan. Prior to that he starred opposite Liv Tyler in the box-office smash “The Strangers.”

His other film credits include Ron Shelton’s “Dark Blue,” opposite Kurt Russell; Isabel Coixet’s “My Life Without Me,” opposite Sarah Polley, for which he won Best Actor at the Bordeaux International Film Festival; Bruce Paltrow’s “Duets,” co-starring Gwyneth Paltrow and Maria Bello; and Lee Tamahori’s “xXx: State of the Union.”

In television, Speedman landed the role of Ben Covington in the popular WB Network drama “Felicity,” which had a successful four-season run.



Opening across the Philippines this February, “The Vow” is distributed by Columbia Pictures, local office of Sony Pictures Releasing International.